Women's Fragrance
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- 27 %New
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- 34 %New
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- 34 %
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- 34 %
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- 33 %
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- 34 %
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- 34 %
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- 33 %
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- 33 %
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- 33 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 33 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 34 %
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- 48 %
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- 34 %
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- 33 %
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- 33 %
Through three iconic fragrances, Paco Rabanne describes the woman in three facets. All blend modernity and mythical symbolism, and each is sculpted into a particular fragrance, highlighting a particular woman.
The goddess, for a start. Strong, beautiful, Olympea is a new deity in a bottle, a meeting of the character of Athena and Aphrodite, both terribly bewitching and implacable, true mistresses of Mount Olympus. Ginger, cashmere wood and ambergris are the atypical notes slipped into this elixir of the gods.
Then comes the golden woman, the "Lady Million", a woman of treasure, opulence and gourmandise. In an aesthetic - both for the bottle and the ads - that clearly marks the independence of the Lady Million woman, Paco Rabanne celebrates those who know what they want. And get it. To accompany this conquering woman, the perfumer doesn't hesitate to slip woody accords into his fragrance, putting notes usually associated with the male sex. A kind of aggressive touch that, once slipped onto the skin, becomes deliciously feminine and powerful.
Finally comes the pink woman. The woman of excess, the "Black XS". In creating a fragrance of rebellion, Paco Rabanne thumbs his nose at the two other women he sculpts in his creations. This one scoffs at Olympus, scoffs at gold bullion, scoffs at power, which she doesn't seek. She takes it, she has it, and defies anyone to take it away from her. Like a rose, she's already the mistress of flowers and has nothing left to prove - her thorns will remind even the most careless.
In just a few fragrances, the brand has created a rich, colorful universe that celebrates the fascinating diversity of femininity.